Saturday 30 November 2013

Companies book profits from self-publishing

In the spring of 2010, Amanda Hocking, a social worker from Rochester, Minn., uploaded several books she had been working on to Amazon.com. In the first weeks, she sold a few dozen copies — success for someone who just wanted to have her work read.

In the next few months, she published several more manuscripts, and soon, the sales started piling up. By the end of the summer, Hocking had made enough money to quit her job, and in January 2011, she sold "an insane amount of books," she said, estimating the total at 100,000.

Her sales numbers soon drew the attention of Macmillan, one of the largest publishers in the world, which signed her to a four-book deal for more than $2 million, followed by a deal to republish three of her most popular titles for $750,000 more.

Hocking, now 29, went from social worker to best-selling author and millionaire in a year.

Inspired by her story and that of other early self-publishing success stories, hundreds of thousands of others have followed in Hocking's footsteps. While many are traveling the same trail she did several years ago, few are finding anything near her level of success.

That doesn't mean she's the only one making money from the new boom in American self-expression. The old yarn about the San Francisco gold rush applies here: Even though a tiny percentage of those heading west looking for gold ever found fortunes, those who sold the pickaxes, pans and whiskey got rich.

The ranks of self-published authors are swelling. The number of books being self-published in the U.S. ballooned to 391,000 titles in 2012, according to Bowker, an industry research group — an increase of nearly 60% from the previous year. Amazon's Kindle Direct Publishing platform, one of the most popular for self-publishing, today has "hundreds of thousands" of authors and titles, the company says.

Before this boom, authors such as Hocking and Bella Andre, another successful self-published author, did all the work of creating, editing, formatting and distributing e-books, often slogging through complicated technical manuals and getting stuck for days or weeks on complex software problems

"At first, I was doing it all myself," said Andre. "When I started three years ago, hardly any of these services existed or were as good as they are now."

Andre is referring to companies such as Smashwords, which distributes 250,000 titles for more than 60,000 authors to most of the world's e-book stores for a percentage of the author's profits. Another is Author Solutions, which was acquired by publisher Penguin last year and has helped some 170,000 authors bring more than 200,000 titles to market by selling them editorial, e-book production and marketing services. A company called FastPencil helps about 80,000 authors work on their writing, and when they're ready, publish and distribute it — for a fee. There are many others.

In addition, a new ecosystem of freelancers has developed to fulfill demand — e-book developers, cover designers, copy editors, publicists and more.

Andre estimates that she spends $60,000 to $80,000 a year creating and promoting her books, employing about a dozen freelancers for various parts of her operation. Each works up to 10 hours a week for her.

"Almost every step of the way, there's an opportunity to make money," said Steve Wilson, CEO of FastPencil.

But few authors actually find much gold when they go digging.

Wayne Hicks, 58, of Fort Smith, Ark., is among the more successful self-published authors. He has five titles to his credit and has spent about $700 on editorial and marketing services, as well as more than 1,000 hours writing, creating and promoting his books. In that time, he's sold nearly a thousand copies, to make about $1,400. Katie Lippa, 40, of Portland, Maine, is another. She has spent nearly $700 on editorial services and has made about $1,600 selling books.

But there are dozens or even hundreds who have barely made back their investments. "On average, authors spend between $1,000 and $2,000 to get their books into the marketplace," said Keith Ogorek, senior vice president of marketing at Author Solutions.

According to Smashwords, which distributes many self-published authors and titles to some of the most popular e-book sites (save Amazon, for most of its titles), the best-selling 1% of titles net half the sales. There is a wide disparity among the top 500 best-selling books: Smashwords' No. 1 best-seller, The Boy Who Sneaks in My Bedroom Window by Kirsty Moseley, sold 37 times as many copies as the No. 500 best-seller.

To be sure, money isn't the sole motivation for self-publishing. According to a recent study by Digital Book World, a trade publication that covers the digital publishing industry, and Writer's Digest, a magazine for writers, "to make money from my writing" is fourth on a list of reasons authors want to publish books. The top two answers were "to build my career as a writer" and "to satisfy a lifelong ambition."

Jeremiah Johnson, 30, is a soldier in the U.S. Army currently stationed in Afghanistan on his fourth deployment. He's made $90 selling his self-published book of poetry, Black Rose; Dying, which he published under the pen name Edward Val.

"I wanted to leave something behind in case the worst happened," he said.

SELF-PUBLISHING TIPS

Publishing your own book is easier than ever, but it still takes a lot of hard work and know-how. Here are five steps to help you get started:

• Think about your goals. If the idea is simply to become a published author, you may choose a very different path than if your motivation is to make money.

• Make sure your book is ready. Rewrite and re-edit until you've nailed it.

• Figure out which path is right for you. Doing it yourself involves editing, coming up with a cover design and managing distribution and marketing. Using a company to provide those services and/or hiring freelancers to help means you'll be paying for services. Or you could try the traditional route: Look for an agent and a publisher.

• Don't forget social media. With Twitter, Facebook, etc., everyone can talk to a wide audience. The larger your platform, the easier it will be to get people to read your book.

Friday 29 November 2013

Breaking up with books is hard to do


Too many books: they have to be culled. It's a cry that echoes through my house every few months, usually when a stalagmite of them topples on somebody's toe. The last cull involved packing my daughter's childhood into eight boxes – a melancholy task, cheered only by the willingness of her old primary school to take them, sight unseen, for the Christmas fair. This time, more drastic action was needed. Instead of riffling through the piles on the floor, I decided to work from the top.

Up on the most inaccessible shelf, where the cobwebs join ceiling to wall, was nearly three foot of reclaimable space, aka the collected works of Charles Dickens.


Now I love Dickens, and wouldn't be without copies of Bleak House, Great Expectations and David Copperfield. But the ones I actually read – have ever read – are in handy paperback editions. When my husband decided to make Barnaby Rudge a holiday project, he downloaded the Project Gutenberg text to his iPad.

So what is the value of the 16-volume edition that somehow found its musty way to me from my grandparents' flat many years ago? These are books that aspire to be furniture: published in the early 1930s by Hazell, Watson and Viney, they're the colour of polished mahogany with gilded curlicues that might grace the chambers of the lawyers pursuing Jarndyce v Jarndyce. It's nice to see the original illustrations, but the text itself is too cramped and faded to be easily readable. These volumes have the lurky-murky smell of books that have lurked too long in the murkier depths of secondhand bookshops.

This isn't the first time I've considered getting rid of them, but two obstacles have always stood in my way. The first is the inscription in my grandfather's handwriting from 1933. I hate the idea of books as furniture, a fetish unforgettably skewered by F Scott Fitzgerald in the third chapter of The Great Gatsby. But there's a biographical poignancy to the idea of my grandparents filling the shelves of their new home with brown Dickens, red Macmillan pocket editions of Kipling and red and green Loeb Classical Library volumes, which I find hard to resist. Unlike Gatsby they did, at least, cut the pages.

The second reason I am reluctant is more pragmatic: how do you dispose of a yard of old, but not antique, books? Libraries aren't interested in secondhand books, and the several collections already on offer on eBay – most at less than £50, buyer collects – don't seem to be making a dash for the door.

Bibliophile Gillian Thomas captures my ambivalence in her blog, The Afterlife of Books: "That books outlive their authors is a consoling thought. That they outlive their readers evokes the opposite reaction." Their desolate fate reminds her of Tony Harrison's poem Clearing,

Thursday 28 November 2013

On the Books: First book published in U.S. sells for $14.2 million at auction; authors to appear at indie bookstores Saturday

oday’s book news includes the most expensive book ever auctioned, a preview of this Saturday’s celebration of indie bookstores, and several year-end lists highlighting the best books this year. Read on for more headlines:

The psalm book published in 1640 — the first book published in English in the U.S. — garnered $14.2 million at an auction yesterday, short of the estimated $15 to $30 million, but record-breaking nonetheless. [ABC News]


This Saturday is “Small Business Saturday,” also known as, for hundreds of authors including James Patterson, Cheryl Strayed, and Sherman Alexie, “Indie First” day. The authors have pledged to volunteer as booksellers for independent bookstores, and Wally Lamb has called for more “book nerds.” [LA Times]

Publishers Weekly named Oren Teicher, CEO of the American Booksellers Association, along with the ABA’s board as its “Person of the Year.” [Publishers Weekly]

GET MORE EW: Subscribe to the magazine for only 33¢ an issue!

The Costa Award, a prize honoring “the most outstanding books of the year written by authors based in the U.K. and Ireland,” announced its shortlists. Kate Atkinson’s Life After Life leads the all-female shortlist for the prize’s Novel category. [The Independent]

Time for this week’s lists: The Telegraph selected its picks for the best fiction books of 2013. [The Telegraph]

…And so did Forbes — but for all books this year. [Forbes]

Not sure what books are best for the holidays? Let writers like James McBride, Mark Halperin, and Ann Martin choose for you. Check out their picks for holiday reads. [The Washington Post]

To end the day with some positive news for the print business: A survey found that young people still prefer printed books to e-books, despite their heavy exposure to the e-book market, and to devices like smartphones and tablets. [LA Times]

Tuesday 26 November 2013

Bay Psalm Book: Why the £18m price tag?

They already had psalm books, but being reformists who embraced congregational singing, wanted a translation from the Book of Psalms in Hebrew Scriptures that was both closer to the original and written in verse.
A printing press - perhaps obtained surreptitiously to avoid English licensing laws - arrived from London in 1638, along with 240 reams of paper.
Though the man who raised the funds for them, the Reverend Jose Glover, died during the journey, his widow settled in Cambridge, Massachusetts where she established the press



It was operated by Stephen Day, an indentured servant of the Glovers and a locksmith by trade. In 1640 he printed some 1,700 copies of the 300-page Whole Book of Psalmes Faithfully Translated into English Metre, commonly known as the Bay Psalm Book.
The simple volume was put straight to use by congregations across the colony. Though the text was reprinted more than 50 times over the next century, most first edition books were worn out within decades.
"It's a book that was not created to be fancy or splendid or valuable in any way other than the significance of its content," says Derick Dreher, the director of Philadelphia's Rosenbach Library, one of the few institutions to hold a Bay Psalm Book.
"But because the congregation for which it was created literally used the book to death, very few of the copies have survived.
"We have all sorts of reports that go well back into the 19th Century about the lengths to which people were willing to go to acquire a Bay Psalm Book and they just couldn't be had."